Walking in the Spooky Old Woods Alone
Hey, there, Little Red Riding Hood,
You sure are looking good.
You're everything a big bad wolf could want.
Pedophilia, cannibalism, seduction, animal ravishment – many fairy tale origins contain these disturbing subjects. The quaint mental picture of a young girl blithely skipping through the woods, taking a care package of goodies to her ailing grandmother is known universally. But the real story of Little Red Riding Hood perhaps has some elements not so innocent and blithe.
French author Charles Perrault (1628-1703) single-handedly invented the literary genre of the fairy tale. Folk tales or morality tales (what are called "fairy tales" today) certainly had been written earlier (forms of Cinderella and
Perrault, as a French man in the early years of The Age of Enlightenment, likely did not feel the compulsion to unreasonably censor either himself or his work. Also, the stories he created (some based on existing oral traditions) were sometimes cunning little gems that adults could read and appreciate as well. He used quirks of the French language to create double-entendres, and other carefully chosen language to slyly describe sexual seduction.
The standard story of Little Red Riding Hood exists now in an exceedingly "clean" version. Red (a young girl, perhaps about 10 years old or younger), wearing her trademark hooded cape, is sent on an errand with a basket of goodies for her ailing grandmother. Walking through the woods, Red is stopped for a chat by a wolf that wheedled her destination from her. He races ahead, eats the grandmother, puts on her bedclothes, and awaits Red's arrival.
Little Red Riding Hood shows up at Granny's. She inspects her grandmother to find she looks very different from usual, and comments upon her altered features. The wolf gives oblique explanations for his appearance. To
The current story could be used as a cautionary tale for young children about the consequences of talking to strangers. It, unfortunately, ruins that message by including the hunter as a rescuer – children may be inclined to take that lesson less seriously if they believe some heroic adult is always on hand to save them. That's not Perrault's story, nor is it the one passed orally around Europe (and a version from the Orient that predates Perrault), either.
The Perrault version of the tale (and to a lesser degree the earliest Brothers Grimm version) allows that Red has some character flaws. Red, in these earlier stories, is not a mere childnymphet, blossoming on the edge of womanhood. She is also vain – she is very attractive and she knows it. Perrault goes to great lengths to remark upon how beautiful she is, and it sparks an air of sexual tension that carries throughout the rest of the story. [Additionally, there was an element of the lecher to Charles Perrault as well – in 1672, when he was 44, he married a 19-year-old girl (who died six years later).].
Red's family lived in a village near a forest. She pestered her mother for new clothing. In the French version, her mother made a chaperon (a half-cape or bonnet) for the girl. She exacted a promise from Red not to wear it out as the material was very dear. Red, of course, did not heed her mother's words, and because of her vanity, and how pretty she thought she looked in her new
From Red's leaving home to her arrival at her grandmother's house, Perrault's version followed tradition. She met the wolf in the woods, and he wanted to eat her (but was afraid to do so publicly). So, he took a shortcut to her grandmother's house. There, he ate the grandmother (in the most politically-correct version today, Granny is frightened into hiding in a closet). He then climbed into bed and waited for Red – he did not, however, don any of Granny's bed-clothes in Perrault's story. He remained naked.
Red Riding Hood arrived, and in his gruff voice the wolf bade her come in. Red, believing her Granny's voice was edgy from illness, and because the wolf hid under the blankets and sheets, was
Red had never seen or felt her grandmother naked before, and she commented upon her granny's physical abnormalities. All the bases are covered: "My, what big arms you have," etc.. The most interesting part of this exchange is the following:
"Grandma, what big legs you have!"
"The better to run with, my child."
It is in this seemingly innocuous banter where Perrault left many French adults snickering, and it was intentional. His punning in this story focused on the sexual desirability of this girl. In French, the word for "leg" is "jambe", and other writers of the era also used the word as a slang term for penis ("middle leg"). Similarly, Perrault spun the word "courir" ("to run") in the wolf's reply. "Courir" also meant "sexual intercourse" for French people of the period. So, in essence, Perrault had Red talking innocently about legs, with the wolf subverting the chat into a sexual conversation.
Red Riding Hood reached the climax with, "Grandma, what big teeth you have!" The wolf exclaimed, "The better to eat you with!" Then he gobbled her up.
And that is the end of Perrault's story. There is no errant hunter, no rescue of Red. The wolf had his meal and that was it.
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This story was told in the French countryside as early as the 14th century. The version of the Far East had a tiger and a great-aunt instead of the wolf and the grandmother. In other early versions of the tale, an ogre or a werewolf was the bad character. Some of these stories have the girl wearing a cape or hood, some do not. One version of the story incorporated cannibalism: the wolf didn't eat Red's grandmother; he cooked her and fed her to Red when she arrived.
Charles Perrault's story first appeared in 1697 in his book Tales and Stories of the Past with Morals subtitled Tales of My Mother Goose. In the deepest Mediaeval times up through The Enlightenment and beyond, Europeans lived on the edges of wilderness and primeval forests. Wolves were a very real threat, and wolf attacks were not uncommon. Thus, the surface caution about woods and wolves is met in a literal reading. But Charles Perrault ended his tragic tale of Little Red Riding Hood perhaps not about real wolves at all:
"From this story one learns that children, especially young lasses, pretty, courteous and well-bred, do very wrong to listen to strangers, And it is not an unheard thing if the Wolf is thereby provided with his dinner. I say Wolf, for all wolves are not of the same sort; there is one kind with an amenable disposition – neither noisy, nor hateful, nor angry, but tame, obliging and gentle, following the young maids in the streets, even into their homes. Alas! Who does not know that these gentle wolves are of all such creatures the most dangerous!"
"Well-bred" in Perrault's time also meant having a well-developed female body. This is obviously a warning about sexually aggressive men (the scene in grandma's bed when Red gets eaten is clearly a metaphorchildren (who weren't so overprotected in The Age of Enlightenment as they are today).
Little Red Riding Hood has been re-imagined thousands of times in almost any media imaginable, from literature, to film, to pop music, to pop art. Interestingly enough, most people subconsciously understand the sexual undercurrent of the story, and the character Little Red Riding Hood sometimes features in erotic cartooning and erotic art. Red's nymphet status (as a girl-woman) was best presented in the 1966 classic by the garage rock Tex-Mex outfit Sam the Sham and the Pharaohs:
Little Red Riding Hood
I don't think little big girls should
Go walking in these spooky old woods alone.
No, little big girls should not, indeed, go walking in the spooky old woods alone.
*From the 1966 MGM single "Li'l Red Riding Hood" (Sam the Sham & the Pharaohs).